Exploring Musical Fusion with KANAK

At Morning Cruise, we had the pleasure of hosting an inspiring conversation with the members of KANAK, an Indo-African fusion ensemble led by Vishnu R (India), Sean Sanby (South Africa), and Lilavan Gangen (South Africa). This talented trio is currently in Cape Town for their first international residency togheter, where they are exploring the intersections of Cape Jazz, Carnatic music, African traditional music, and more.

KANAK’s residency, which spans the entire month of March 2025, is a deep dive into collaboration, improvisation, and musical storytelling. They are engaging in rehearsals, workshops, performances, and community dialogues, all while preparing for an exciting recording session. Their mission extends beyond music—through their work, they seek to strengthen the Indian diaspora’s connection to South Africa, foster collaborations within the local music scene, and use music as a bridge between the shared histories of both nations.

A key element of KANAK’s sound comes from Vishnu R’s self-invented instrument, the NAVTAR, a unique 9-string instrument that blends Indian classical melodies with Western harmonies. Vishnu’s mastery of the NAVTAR brings a distinctive voice to the ensemble, allowing them to push the boundaries of fusion music in an entirely new direction.

During our interview, the members of KANAK reflected on the magic of improvisation and collaboration. The trio had only played together for the first time the night before, yet their performance already felt cohesive and dynamic. When asked how they achieve such musical synergy, they emphasized the importance of giving each other space. Instead of trying to dominate the sound, they listen, adapt, and build upon each other’s contributions, creating a conversation within the music itself.

KANAK's approach to integrating their cultural roots into their music is both respectful and forward-thinking. They believe that honoring their heritage isn’t just about recreating the music of their ancestors—it’s about carrying those traditions forward and shaping the future. Through their work, they are not only preserving cultural sounds but also reimagining them in ways that resonate with contemporary audiences.

For those eager to experience KANAK’s powerful and innovative sound live, they have several upcoming performances in Cape Town for example on 7 March – Athletic Club & Social, 13 March – Gorgeous George and 16 March – The Commons.