Pangea: A Celebration of Unity, Culture, and Creativity at the Joseph Stone Auditorium

On May 15th from 7 to 9 p.m., the Joseph Stone Auditorium in Athlone, Cape Town will come alive with Pangea, a one-night-only showcase of global talent and cultural collaboration presented by the Eoan Group. Born from the energy and vision of young interns Tyra and Nojus, Pangea is more than just a performance: it’s a powerful reflection on what’s possible when borders dissolve and creativity takes center stage.

I had the pleasure of welcoming Tyra and Nojus back to The Morning Cruise on Bush Radio to talk about this ambitious and heartwarming project. Both are currently working as interns through the Take Action Lab program, which brings together students from over 30 countries to gain hands-on experience at nonprofits across Cape Town.

So, why the name Pangea?

Tyra explained: “The name Pangea came about because there was this supercontinent with a bunch of different lands that eventually split apart. So imagine if all these different lands, all these different cultures were able to reunite, sort of like a reformation of Pangea itself. That’s what we’re going for: collaboration, unity, and a global sphere of performers.”

What makes this event especially poignant is that it’s being organized by the very interns and apprentices who've spent the past few months immersed in Cape Town’s arts and nonprofit spaces. For Nojus, who hails from Lithuania, the experience of teaching a traditional Lithuanian dance to his peers was particularly powerful: “Usually people have not heard about my country at all... and then there’s music screaming through the whole building and people dancing the dances I learned 10 or 15 years ago. That’s the beauty of culture - it’s so different, but also the same.”

Held at the historic Joseph Stone Auditorium, a 500-seat venue known for its deep community roots, Pangea is designed to be a true meeting place of stories, rhythms, and people. “The Joseph Stone isn’t just a venue,” Tyra said. “It’s a space that gives a platform for people from all sorts of backgrounds... every part of it comes with an energetic hug.”

From behind-the-scenes coordination to lighting design and stage management, the young organizers are handling it all. And while the logistical challenges are real, the commitment and enthusiasm from their cohort have been overwhelming. “The most exciting part,” Tyra shared, “is seeing people show up and show out... Everyone is so talented and we’re finally creating a space where that talent can be seen and shared.”

So what should the audience expect? Neither Tyra nor Nojus could pick a single act they were most excited for, because “everything is exciting!” as Nojus exclaimed, although hey agreed the real magic would be in the audience’s reaction. “I think the stage gives people the power to speak not into the void, but into the hearts of people who’ve never encountered them before,” Tyra said. “I’m excited to see how that transforms the audience.”

And when the final bow happens and the curtain falls? “We want people to leave remembering that lines on the map don’t separate us,” said Tyra. “If we focus on unity, compassion, community, and love - there’s nothing we can’t do.”

Pangea is a free event, but seats are limited, and they’re going fast. You can follow the Eoan Group on Instagram and TikTok for updates and sneak peeks.

Don’t miss this one! Pangea isn’t just a show, it’s a living, breathing testament to what happens when young people come together across cultures to create something meaningful.

Written by Ryan Growney

Presenters:  Mkulesi “Khusi” Veto, Ryan Growney, and Camille De Vos

Getting Real with Samantha Carlisle: On her new solo show, Messy

Monday morning on Morning Cruise on Bush Radio 89.5FM, we had the absolute pleasure of welcoming Samantha Carlisle—writer, sexworker, performer, and all-round force of nature—to talk about her bold new solo show Messy, premiering May 6 and 7 at Theatre Arts in Observatory.

Directed by feminist theatre powerhouse Dara Beth, Messy traces the tangled web of Carlyle’s past romantic encounters—“although perhaps lovers is too generous a word,” she laughs. At its core, the play is a deeply personal chronicle of how her relationship with love, intimacy, and sex has evolved from teenage years to adulthood.

Born and raised in Makhanda in the Eastern Cape, Carlyle grew up steeped in South African independent theatre. Regular visits to the National Arts Festival from a young age left a lasting impact: “I sort of grew up watching some amazing independent South African theatre and a lot of stand-up comedy,” she says. That comedic influence is clearly present in Messy, where she fuses the raw confessional tone of stand-up with theatrical storytelling.

Although she always knew she wanted to be a performer, it wasn’t until meeting Dara Beth and joining the non-profit organisation Hokaei Loll that she began to take her writing seriously. Carlyle is also a part of Spark in the Dark, a theatre production company that provided the first spark for Messy. After reading a funny story about losing her virginity at one of their Play Things events and receiving roaring laughter and encouragement, she realised the potential for something bigger.

“I just thought, okay, let me see if I can weave these stories together into something enjoyable for everyone,” she explains. The result is a tightly woven, often hilarious piece of theatre that doesn’t shy away from the uncomfortable.

A central thread of Messy is Carlyle’s experience as an online sex worker. “I actually have an OnlyFans account,” she shares openly, while noting that she’s careful not to generalize or glamourize the industry. “It is a very difficult job, and it comes with a lot of violence and hatred—as well as joy and humour.” Through her own lens, she offers an unflinching, nuanced take on a line of work still largely stigmatized in South Africa.

She also tackles internalized misogyny—sometimes with biting satire, like in the portrayal of an old Afrikaans teacher who becomes the embodiment of internalized sexism. “Start unlearning it,” she urges. “Give yourself more grace.” She’s candid about her own struggles: “Even today, I find something pops in my head and I go, ‘Oh no, that’s awful, don’t think that.’

But writing and performing a solo show is no small feat. “It’s terrifying,” she admits. “It’s like giving birth.” The vulnerability of sharing such intimate stories on stage has been one of the biggest challenges—but it’s one she’s met with the support of her director and collaborators. “Dara Beth brings such a sharp eye to performance, but also so much empathy. They’re incredibly devoted—not just to the craft, but to making sure the performer isn’t retraumatized.”

With her biting wit and open-hearted storytelling, Samantha Carlyle is a fresh and fearless voice in South African theatre. And if Messy is any indication, she’s just getting started.

Catch Messy at Theatre Arts in Observatory on 6 & 7 May. Tickets and info via theatrearts.co.za. Trust us—you don’t want to miss this one.

Presenters: Khusi, Camille & Ryan
Written by Camille De Vos

The Cookie Monster lit up Morning Cruise today! 🕺🍪🎶

 A big thank you to DJ The Cookie Monster for joining us on The Morning Cruise this morning with an amazing mix! 

This morning on Morning Cruise, we had a special guest in the studio: DJ The Cookie Monster, also known as Tawfeeq Cook. This rising star from Cape Town is making waves with his fresh sound, mixing Amapiano, 3Step, Gqom, and House music. His set brought a burst of energy to the studio and got us all hyped for the weekend.

The Cookie Monster started DJing at a young age, inspired by friends and people in his community. He taught himself the craft and has been growing ever since. So far, he’s only played in Cape Town, but he's ready to take his music beyond the city.

Want to catch him live? Don’t miss his set tomorrow (May 3rd) at Paradise Rooftop, located at 9 Albertus Street, Zonnebloem. Expect serious vibes and a dancefloor that won’t quit.

📲 Follow him on Instagram and TikTok: @TheCookie__Monster
📞 For bookings: 081 739 9001

Support local talent and remember: the best cookies come with beats! 

Discovering the EOAN Group: When Art Becomes a Space of Freedom in Athlone

Nestled in the heart of the Joseph Stone Auditorium in Athlone, the EOAN Group stands out as a true gem of the South African arts scene. More than just a dance and theater collective, EOAN Group is a vibrant community where art, education, and inclusion come together to offer a unique space for young people and families in the neighborhood.

As soon as you step through the doors of the Joseph Stone Auditorium, you’re struck by the scale of the place: a 500-seat auditorium, several dance studios, welcoming communal spaces… and above all, an atmosphere buzzing with creative energy. “It’s an impressive building, designed to welcome both artists and visitors,” say Tyra and No Use, two group members interviewed recently. The theater, one of the few “fly-in theaters” in Cape Town, is so popular that you sometimes have to book a year in advance to organize an event there.

What truly sets EOAN Group apart is its philosophy: “We live to serve.” For nearly a century, the organization has made it its mission to make art accessible to everyone, regardless of background or personal journey. “Here, there’s no judgment. Everyone can come as they are, find their place, and express themselves freely,” explains Tyra. This openness is felt in the smallest details, like the always-open door of Mr. Shafik’s office, one of the supervisors, who is ready to welcome and advise children at any time.

One of EOAN Group’s unique features is its integrated academic center. A few students follow an international online curriculum every day, supported by the on-site team. After classes, it’s time for dance! “They spend a lot of time at the auditorium, but you never hear them complain. It’s like a family,” says No Use. This hybrid approach allows young people to thrive both artistically and academically, without having to choose between the two.

From contemporary to hip-hop, Indonesian dance, classical ballet, or belly dancing, the range of classes is as eclectic as the participants themselves. Children can start as young as three, and some members remain loyal to the group for decades. “One of our supervisors started here at three years old, and she’s now over thirty,” says Tyra, proof of the community’s strength and loyalty.

Being part of the EOAN Group also means discovering what happens behind the curtain: managing costumes, organizing logistics for shows, welcoming the public… “You don’t realize everything that has to be done to make it all look so smooth on the day,” laughs No Use. But beyond the work, it’s the contagious energy of the leaders and the passion of the artists that leave the biggest impression.

For many, EOAN Group is much more than an arts center: it’s a space for freedom, connection, and empowerment. “The word that comes up most often is ‘freedom’,” summarizes Tyra. Freedom to be oneself, to express oneself, to grow surrounded by a caring community. This unique alchemy makes EOAN Group a pillar of Athlone and a beacon of hope for future generations.

                         

With regular shows, constant buzz, and openness to all talents, EOAN Group continues to write its story, driven by the passion and commitment of its members. If you’re looking for a place where art means inclusion, family, and freedom, look no further: the Joseph Stone Auditorium is waiting for you.

Writing by Laure 

Raising Leaders, One Child at a Time: Inside Ubuntu Charity

At the heart of the Imizamo Yethu community in Cape Town, Ubuntu Charity has been quietly transforming lives for over six years. Founded by Silke Rylands, a German-born changemaker with a deep sense of justice and empathy, the organization is proof of how compassion, consistency, and community involvement can create lasting impact.

We had the chance to speak with Silke on The Morning Cruise to learn more about Ubuntu Charity’s beginnings, their impressive range of projects, and the inspiring young people who are now stepping into leadership roles within their own neighborhoods.

Silke first came to South Africa for work, but it was love—and a strong desire to give back—that anchored her here. “Coming from Germany, where poverty is not as visible, the contrast really struck me,” she explained. “I felt I had to do something.”

Her journey began humbly, in the backyard of an elderly woman in Imizamo Yethu named Mama Miriam. Together, they started a soup kitchen, with Silke preparing meals in her own home and delivering them in the back of a bakkie. What began as one act of kindness has since grown into a multi-faceted organization.

Today, Ubuntu Charity runs tuition programs, a soup kitchen, a community library, recycling initiatives, and even supports local entrepreneurs and small businesses. “Organizationally, it’s mostly just me,” Silke shared, laughing. From fundraising and administration to stock purchasing and lesson planning, she wears many hats—but never loses sight of Ubuntu’s mission.

Education has become the cornerstone of the organization’s work. “Education is the key,” she emphasized. “It’s not just about academics; it’s about creating a safe space, teaching values, and giving kids a vision for the future.”

Ubuntu Charity is not just helping children—it’s turning them into helpers. Kids who once benefitted from the program are now giving back. Silke proudly shared stories of 13-year-old Owen Balasana and 12-year-old Simon Vidkus, both of whom are involved in community projects like the soup kitchen and recycling initiatives. “It’s amazing to see how they’ve grown, both personally and academically,” Silke said.

The children in the program are learning far more than math and science. Through sports, yoga, drug prevention workshops, and guest-led creative sessions, they’re developing life skills, confidence, and a sense of responsibility toward their community. “It boosts their self-esteem and shows them that they matter, that they can make a difference.”

Silke admits that gaining the community’s trust took time. “At first, people were skeptical. They’d seen people come and go—taking photos and disappearing.” But her unwavering presence—rain or shine—won them over. “When they saw I was consistent, they started stepping in to help.”

Though most of the organization’s funding comes from Germany, Silke is now focused on a long-term goal: building a dedicated community center. After three and a half years, Ubuntu finally secured a piece of land. Now, they’re working hard to raise the funds needed to bring the vision to life.

Whether you’re in Cape Town or abroad, there are plenty of ways to support Ubuntu Charity—from volunteering with the children on Fridays, to helping out with outings or behind-the-scenes administration. “Even just offering a new activity or hobby for the kids on a Friday makes a big difference,” Silke said.

Ubuntu may have started as a simple act of service, but under Silke’s leadership, it has become a beacon of community-driven change. The message is clear: when children are given the tools and trust to lead, they can—and will—change the world.

Building Futures from the Ground Up: A Conversation with Tracy Fortune from ELRU

This morning on Morning Cruise, we were honored to speak with Tracy Fortune, the passionate and dedicated CEO of the Early Learning Resource Unit (Elru). With over 50 years of experience supporting early childhood development (ECD) in South Africa, Elru con

tinues to be a vital force in transforming young lives—especially in under-resourced communities like Gugulethu, Nyanga, and Crossroads.

From the very beginning of our conversation, Tracy’s love for children and unwavering belief in the power of early learning were crystal clear. “If we don’t get the foundation right,” she explained, “we will continue to see the long-term impact: high dropout rates, poor literacy, and a generation of youth unable to thrive.”

Tracy stressed that the first seven years of a child’s life are critical—not just for individual development, but for society at large. With 80% of South African Grade 4 learners unable to read for meaning, and nearly 50% dropping out before completing school, the stakes are high. Early learning programs don’t just prepare children for school—they combat long-term issues like poverty, violence, and unemployment.

“You can’t fix the economy if you don’t fix early childhood development,” Tracy quoted economist Paul Romer. Her message was clear: ECD isn’t charity—it’s nation-building.

One of the key ways Elru supports this vision is through its Centre Support Programme (CSP). This initiative helps ECD centres become safe, sustainable spaces where quality learning can happen. Elru offers everything from infrastructure upgrades to training for practitioners and assistance with health and safety compliance.

In areas where many caregivers are unqualified and centres lack basic resources, Elru steps in with hands-on support. They also guide centres through the process of becoming registered, which allows them to access government subsidies—crucial funding that can mean the difference between survival and closure.

Despite the obvious importance of ECD, Tracy explained that funding remains one of the sector’s biggest challenges. Many centres struggle just to stay open, let alone grow or innovate. “We need more people to understand that early childhood development is the key to solving many of our country's most pressing problems,” Tracy urged.

To help close this gap, Elru is hosting a fundraising event at the Baxter Theatre on June 8th—a night filled with performance and purpose. Proceeds will go directly toward sustaining and expanding Elru’s work in vulnerable communities.

Listeners who want to support Elru can do so in many ways. Donations—whether financial or in-kind—are always welcome. Educational toys, nutritious food, and learning materials make a real difference in children’s daily lives. You can also volunteer, spread awareness, or attend their upcoming event.

For more information or to get involved, contact Elru at 021 762 7500.

Written by Camille De Vos

Presenters: Khusi, Ryan & Camille

Honouring a Legacy: The Khayelitsha Heritage Council and the Mzukisi Meyane Memorial Lecture

On The Morning Cruise this Tuesday, we were honored to host Mbuyiseli Ka Boqwana, one of the key organizers behind the upcoming Mzukisi Meyane Memorial Lecture, a powerful event hosted by the newly established Khayelitsha Heritage Council. As we edge closer to Freedom Day on April 27th, this lecture serves as both a commemoration and a call to action - an opportunity to reflect on the past while galvanizing a new generation of changemakers.

Preserving the Pulse of Khayelitsha's History

The Khayelitsha Heritage Council was officially registered earlier this year, but its roots run deep. According to Ka Boqwana, the idea was born between 2018 and 2020 during a series of community-led Freedom Month commemorations. It became clear that the stories of Khayelitsha’s heroes - those who sacrificed and shaped the township during and beyond the liberation struggle - deserved a structured platform. The Council’s mission is simple but vital: to preserve, honor, and uplift the stories of the past while educating and empowering the present.

Who Was Mzukisi Meyane?

Mzukisi Meyane, the focus of this inaugural lecture, was more than just an activist - he was an organic intellectual, a youth leader whose political clarity and revolutionary spirit left an indelible mark on all who encountered him. Despite not pursuing higher education, his insight and articulation on political theory were so profound that even university students at the time turned to him for understanding and guidance.

Meyane began his activism in the Eastern Cape and later became deeply involved in the Khayelitsha struggle. He played a leading role in local resistance against forced removals and apartheid spatial planning. As a national organizer of COSAS (Congress of South African Students), his influence extended well beyond the Cape Flats.

What to Expect on April 27th

The Mzukisi Meyane Memorial Lecture will be part commemoration, part celebration, and full of powerful storytelling. Importantly, while the event is invite-only due to space, it will be live-streamed via Facebook to allow broader community access - especially for families and supporters outside the Western Cape.

More Than a Lecture

This event is not just about Mzukisi Meyane. As Ka Boqwana emphasized, Meyane represents an entire generation of activists - many of whom paid the ultimate price during the turbulent 1980s and beyond. By honoring Meyane, the Council is also lifting up the names of other community leaders and young warriors who made Khayelitsha a frontline in the fight for justice.

Future phases of the Council's work will expand this memorial project to include other important figures like Michael Mokongwane and Solomon Tuku, ensuring that their contributions are never forgotten.

A Message for Today’s Youth

Perhaps the most resonant message from the interview came at the end: the belief that young people today have a role to play in building a better, more just Khayelitsha. By drawing inspiration from Meyane’s life - his discipline, political insight, and dedication to service - today’s youth can help transform Khayelitsha from a township into a thriving community of opportunity and pride.

Written by Ryan Growney

Morning Cruise Presenters: Mkuseli "Khusi" Veto, Camille De Vos, and Ryan Growney

"I Can't Stop Dancing!" DJ Atro De Tribe Live on The Morning Cruise

A big thank you to Atro De Tribe for joining us on The Morning Cruise this morning with an unforgettable mix! 

Hailing from Cape Town and spinning since 2007, Atro has built a strong reputation for his unique blend of Afro House and 3 Step - a sound that’s both deeply rhythmic and uplifting.

He’s performed at some of the most respected venues around, including Rands, Ace, Spine Road Lifestyle, Sugar Lounge, Dudu’s Place, and the iconic Zone 6 in Soweto.

Whether he’s behind the decks or curating a vibe, Atro De Tribe brings energy, passion, and a deep love for the music - and it shows in every set.

📲 Follow him on all platforms: @AtroDeTribeZA
📞 Bookings: 078 713 2660

We’re grateful to have had him on the show - and we’re sure we’ll be hearing a lot more from him in the future!

DJY Luvos Lights Up The Morning Cruise

This Wednesday’s Morning Cruise was nothing short of electric as we welcomed a fresh face to the Bush Radio: DJY Luvos. Hailing from Soweto, he is currently based in Cape Town, where he’s balancing two powerful passions: law and music.

Now in his third year studying law at UWC, Luvos isn’t just hitting the books: he’s hitting the decks with just as much precision and heart. “I use music to study,” he told us during the live chat. “I love making people happy, and music does that. It just made sense.”

A true Amapiano enthusiast, Luvos brought pure heat to our midweek mix with a set that spoke directly from the soul. While he’s played sets for UWC radio before, today marked his first time spinning live on Bush Radio… and trust us, it won’t be his last.

Want to follow the journey? Catch DJY Luvos on Instagram, Twitter, and TikTok.

Whether he’s representing the streets of Soweto or the lecture halls of Cape Town, one thing’s clear: this DJ is just getting started - and we’re here for it.

Keep dancing with us every weekday morning on The Morning Cruise. Same time, same energy! 

iHaba on Music, Fashion, and Living in Truth

On our latest episode of The Morning Cruise, we had the honor of diving deep into the creative universe of one of South Africa’s most genre-defying voices: iHaba. Born Kgotlello Mashigo, iHaba is a boundary-pushing, multidisciplinary artist originally from Mamelodi and now based in Cape Town. Known for his bold sound, expressive performances, and fearless fashion, iHaba is quickly becoming a name to watch in the local and international indie scene.

What's in a Name?

First things first, where does “iHaba” come from? iHaba picked it up from a Ricky Rick lyric, not even knowing its meaning at first. When he discovered that “ihaba” means hyperbole, an exaggeration, it just made sense. “I’m quite animated and exaggerated… especially in the fashion world,” he told us.

From Choir Boy to Creative Force

iHaba’s musical journey started in his pre-teen years, thanks to his mom, who was part of the acclaimed Mamelodi Good News Choir. He soon joined her as the youngest member of the choir. That experience planted the seed, but it wasn’t until later, with the help of fashion and creative exploration, that iHaba found the confidence to step into the spotlight. “Fashion can really boost your confidence and bring the best out of you,” he said.

Genre? What Genre?

iHaba describes himself as “genre non-conforming.” When asked about what it means, iHaba took the opportunity to talk about creative freedom more broadly: “I don’t think about genre. I express myself and write the song… I would appreciate if people let me and not tell me what to do.”

Iconic Performances and Outfits

From Fête de la Musique to Smoking Dragon Festival, iHaba’s performances have left a mark. He uses his performances as a way to combine his loves of fashion and music. At Smoking Dragon, iHaba recalls feeling truly in his element. “I was dripping. I was on fire. Probably the best dressed at that festival,” he laughed.

He also shared a touching story from Fête de la Musique, where someone was so moved by his performance, they gifted him a guitar the next day. That guitar, unfortunately, was later stolen, but the moment lives on.

iHaba also graced our ears with a live performance right here on The Morning Cruise, playing an original song on his guitar!

The Artist as a Whole

Whether he’s styling a shoot, modelling a look, crafting music, or directing a DIY project, iHaba believes it all connects, as long as it’s rooted in truth. “If you live in truth, people will find the genius in everything you do.”

Put it on the wall.

Breakthrough Moment

One of iHaba’s most surreal moments came when his track Free Yourself unexpectedly played on the radio while he was sitting in a minibus taxi. “My song comes on… I wanted to say, this is me! But I was just in shock. I wanted to hear the whole thing.” It’s a full-circle moment, especially for a song he recorded all the way back in 2012!

Final Thoughts from a Visionary

Despite the challenges of the artist’s life - dropping out of school, navigating creative detours - iHaba’s eyes are still firmly on the vision: “I told myself that I know my vision, and I’m going to stick to it no matter what, till death do me part with that vision.” It’s clear that this isn’t just a project  - it’s a calling. 

Make sure to follow iHaba's progress on his social media, and a huge thanks to him for coming in!

Written by Ryan Growney

Morning Cruise Presenters: Mkuseli "Khusi" Veto and Ryan Growney