In a powerful interview, we were privileged to host four remarkable individuals who are pivotal to the production of the play "No Christmas For Us." This work is not just a theatrical performance; it serves as a critical lens on a dark chapter of South African history the 1976 riots and the subsequent events that unfolded on Christmas Day.
Joining us were:
- Zoe Bikwana: Playwright, whose personal experiences deeply inform her narrative.
- Sonwabo Phandle: Director, guiding the artistic vision of the play.
- Kamohelo Kolisanh: Education Officer at the Lwandle Migrant Labour Museum, bridging history with education.
- Luyanda Nodilinga: Actor, bringing the characters to life on stage.
Zoe opened the discussion by reminding us of the significance of December 25th, a day traditionally associated with joy and celebration. However, for many South Africans, it is also a reminder of tragedy specifically the massacre of 25 individuals from Nyanga, Gugulethu, and other townships. As Zoe articulated, “If we forget, then that means some stories are not told, and that would be unjust to history.”
This sentiment was echoed by all guests, emphasizing the importance of recounting and preserving historical narratives to prevent the repetition of past mistakes.
Kamohelo shared insights into the museum's mission, which is intrinsically linked to the play. The Lwandle Migrant Labour Museum focuses on the stories of migrant workers and their contributions to South Africa's history. Kamohelo underscored the importance of educating the younger generation about these narratives: “If you don’t know where you’re coming from, you’re definitely not going to know where you’re going.”
This connection between the museum and the play illustrates how art can serve as a vital educational tool, fostering understanding and reflection on historical events.
Zoe reflected on the emotional weight of writing about such painful events. “As the writer, I see myself at this moment as the nine-year-old who witnessed this part of history,” she said. This personal connection drives her to share these stories, ensuring that they are not forgotten.
Sonwabo discussed the challenges of directing young actors who did not experience these events firsthand. He emphasized the need for actors to engage deeply with their characters and understand the historical context, which he facilitated through visits to the museum.
Luyanda, as an actor, expressed the transformative power of the play. His character, a stubborn migrant, embodies the struggles and resilience of those affected by these historical events. “What is happening now can make a reference to the story,” he noted, connecting the past to contemporary issues, such as the ongoing struggles with substance abuse in communities.
The play will be performed from November 6 to 9 at the Theatre Arts Admin in Observatory, with tickets priced at R100. The excitement is palpable, with the early slots already selling out, reflecting the community's eagerness to engage with this vital narrative.
Zoe, Sonwabo, Kamohelo, and Luyanda shed light on the significance of "No Christmas For Us" as more than just a play. It is a reminder of the past, a tool for education, and a call to action for all of us to engage with our history. As they prepare for their performances, they invite us to reflect on our collective past and consider how it shapes our future.
For those interested in exploring these themes further, be sure to catch the play and follow the Lwandle Migrant Labour Museum for more insights into South Africa's rich, yet complex history.
Presenters: Samantha Van Reijsen, Kosi Daniel & Mkuseli "Khusi" Veto
Written by: Mkuseli "Khusi" Veto
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